Boody – Guap

November 3rd, 2011

Money makes people do some dangerous things, and “Guap” cultivates the feel of someone ready to take serious risks to get it. Full of cloudy-headed vocal samples referencing the root of survival, the track starts backed into a corner. But its explosion is forewarned by sirens, sustained warbled synths, and rumbling bass. An organic drum palette snaps, dashing with intricate fills, heavy syncopation, and multiple polyrhythms. New York’s Boody is better known for fun, ravey tunes dispersed through his blog and label empire Palms Out Sounds. But this track sketches a darker portrait, one that Palms provides an escape from. (Image by Vincent Vander Cruyssen.)

Boody – “Guap” [Exclusive!]

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RL Grime – Hold It

August 10th, 2011

This track is all punchy percussion, triumphant android trumpets, clicking cog rolls and backwards melodic jibberish. The bass drums that drop early on are so big they should be nominated for listing in the world wonders registry. It’s the type of beat-driven genre splicing you’d expect from labs on the West Coast but comes from New York-based RL Grime (an alias of Clockwork, a well known peak time kinda guy). The track was part of his recent free EP, Clipz, which is mostly comprised of hip hop and R&B influenced jump offs. This particular record is probably the only serious club banger on there, the rest of which are more nuanced in emotional range. (Image by Graham Phisher.)

RL Grime – “Hold It

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Vintage Video: Jools Holland in NYC

July 12th, 2011

This BBC documentary from around ’83 takes a look into New York’s club scene, with some more than embarrassing scenes of the oh-so-british presenters trying to scratch and find out what tracks get played at 10 to 4 in the morning. They visit Paradise Garage, The Roxy and the Danceteria. Embedding was disabled, so head here to watch the full 20 minute excerpt.

Venezuelan Tuki By Way of BK

April 21st, 2011

Brooklyn-based Sunsplash took the hardest drum section of Pocz‘s ravey Kuduro-styled “Mortal Kombat II” and edited it into the base for their remix, adding new melodies and synths that take it into deeper, more atmospheric territories. In reference to Venezuelan Changa Tuki, a local dance style rooted in the barrios there, they’ve labeled it “Tuki Bass”. Changa is Venezuelan slang for 4×4 house and techno, and Tuki basically means ghetto. The style is entirely separate from the U.S. ghetto house genre that led to juke. It’s fast and hard, but displays a distinct Latin flavor. (Check this DJ Yirvin mix for a taste.)

Changa got popular in the 80s and 90s, pushed by Minitecas (mobile sound systems), and the Tuki thing (also spelled Tuky or Tukky) blew up around 2006 with La Maquina Latina, a soundsystem that hosted dance battles to Tuki music. The style is often referred to as raptor house or hard fusion. At times, it sounds very much like Angolan Kuduro, although that happened independently. “Thats whats amazing,” says Pacheko, who lives in Caracas and works closely with Pocz. “These people have never heard of Kuduro, or barely heard of Baile Funk or anything like that, yet they came up with something that is very similar at moments.” This area of Venn overlapping is what led Pocz & Pacheko to call their recent Enchufada record “Tuki Love“. It appeared on Hard Ass 5, a series of “foreigner visions of Kuduro“.

Pacheko is currently working on a mixtape to showcase artists in the Tuki scene, and they could certainly use the shine, according to Alberto Stangarone, who is one half of Sunsplash and is also from Venezuela originally: “The term Tuki was coined in popular Venezuelan culture, the style and music are easily identified, but most of the original producers remain anonymous and largely ignored by Venezuelan media. Sure, their slum raves are big, and their songs are danced to by legions of ghetto ravers nationwide, yet the names of the music producers rarely pop up. Also, unfortunately, the word tuki has been misused by social elites as a synonym for thug.” But that’s why they’re using the word, Pacheko explains, “To be like, ‘Fuck it, the Tuki thing is awesome.’”

Pocz – “Mortal Kombat II (Sunsplash RMX)” [320]

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Club Infinity With DJ Tameil and Total Freedom

March 9th, 2011

Come hear the newest mutations of House, Garage, Dancehall, Crunk, and everything in between. Brought to you by resident DJs Dre Skull and Kingdom, with a special guests DJ Tameil, Total Freedom and Schwarz!

WHEN : Saturday, March 12th
WHERE : Drom // 85 Avenue A, NY NY
DOORS : 10pm
COVER : $5 with RSVP! ($10 at the door)

Club Infinity With Roska

December 8th, 2010

Come hear the newest mutations of House, Garage, Dancehall, Crunk, and everything in between. Brought to you by resident DJs Dre Skull and Kingdom, with a special guest UK house / funky mastermind Roska!

WHEN : Saturday, December 11th
WHERE : Drom // 85 Avenue A, NY NY
DOORS : 10pm
COVER : $5 with RSVP! ($10 at the door)

Hard Nips EP Out Now!

December 7th, 2010

Hard Nips Cover Art

Hard Nips have arrived from the far east brandishing a riff-heavy, post-punk sound laced with the angelic strainings of vocalist Yoko Sawai. Whether playing parties for Vice Magazine or CMJ gigs alongside the likes of Sean Lennon and TVOTR’s Tunde Adebimpe, this Brooklyn-based four piece commands the attention of any room they play. Known for their magnetic stage presence and rowdy antics (on stage and off), these women are living breathing rock and roll. With this four song, self-titled EP, they bring the right riffs, the right hooks and a no-holds-barred bravado that is winning hearts and minds.

You can grab the Hard Nips EP from iTunes and other fine digital retailers or grab the vinyl from the Mixpak Shop.

Also, if you’re in New York, be sure to go to the Hard Nips record release party tonight at the Cake Shop. Full details here.

Club Infinity With NGUZUNGUZU Tonight!

October 29th, 2010

Club Infinity NGUZUNGUZU

New York, don’t forget to RSVP for $5 admission! And while you’re at it, show some support for the new NGUZUNGUZU EP!!